California nonprofit
Rosas de María was incorporated as a California nonprofit public benefit corporation on April 21, 2025.
Ballet Folklórico Rosas de María · Seeds of Tradition
Rosas de María brings dancers, families, music, language, costume, teaching, and community together through folklórico. The organization exists so young people can learn the work, perform it proudly, and carry it forward.
Practice, performance, family leadership
Rosas de María
Folklórico is not preserved by placing it behind glass. It is learned in rehearsal, corrected in detail, worn in costume, heard in music, shared with family, and tested in front of an audience.
The program gives young dancers a place to build skill, confidence, cultural knowledge, discipline, friendship, and stage experience.
Legal purpose
The corporation’s organizing documents state that purpose directly and place the work within the performing arts of dance and music. That mission now anchors the public site, not merely the filing cabinet.
Rosas de María was incorporated as a California nonprofit public benefit corporation on April 21, 2025.
The organization is not formed for private gain. Its assets and activities are dedicated to charitable and educational purposes.
Board oversight, officer duties, standing Finance and Operations committees, financial controls, records retention, and whistleblower protection support the artistic mission.
Leadership and accountability
President, Chief Executive Officer, Compliance Officer, and co-founder
Executive Director, co-founder, and 2025 charitable-fund advisor
Secretary and co-founder
Treasurer, Chief Financial Officer, co-founder, and 2025 charitable-fund advisor
The Stone family in the program
Both Stone boys dance with Rosas de María. They are bilingual and fluent for their grade levels in English and Spanish. Krista and Randall’s board roles support a program their children also learn, rehearse, and perform within.
That family connection is part of the story, but not the whole story. Rosas de María belongs to the wider community of dancers, families, teachers, musicians, volunteers, and supporters who make it possible.

Performances, rehearsals, community appearances, and public schedule information.
Events →Dancers, families, volunteers, musicians, instructors, and community partners.
Participate →Costumes, transportation, instruction, rehearsal space, performances, and carefully governed fundraising.
Support →Mission, corporate structure, financial accountability, whistleblower protection, and public records.
Governance →Seeds of tradition grow through rehearsal, family, memory, correction, music, sound governance, and the courage to step onto the stage.
The adults behind the children
Rehearsals and performances depend on people handling governance, finances, communication, costumes, transportation, scheduling, and the quiet work nobody photographs because apparently spreadsheets lack choreography.
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